Lil Wayne’s ‘Knockout’ Video Premieres — Watch It Now!
May 30, 2010
The Young Money honcho wants to play Ken to Nicki Minaj's Barbie in clip.
By Steven Roberts
Lil Wayne feat. Nicki Minaj - "Knockout"
Photo: Cash Money Records
Lil Tunechi Weekend is in full effect. To kick off this Memorial Day holiday, MTV2 and MTV Jams have already delivered video premieres of Lil Wayne's "Da Da Da" (featuring rockers ¡Mayday!) and "Runnin'," with Young Money songstress Shanell. Now, the much-anticipated "Knockout" is finally here.
Directed by Jeffrey Panzer and Lil Wayne, the Nicki Minaj-assisted clip premiered premiered Saturday (May 29). The video is similar in look to Wayne's "Runnin' " visuals, likely owing to the fact that both were shot using a green screen. Panzer is a music-video veteran whose nearly three-decade career includes clip credits for the Rolling Stones, Paul McCartney and Erykah Badu, among many others. In "Knockout," Wayne and Nicki are transported from a pink (and alternately blue) locker room to the center of a ring on fight night. The two are seen playfully flirting, and then Weezy poses a rather bold question to Minaj.
"Hey, Barbie! Are you into black men?" he sings. "Hey, Barbie! I can be your black Ken/ Wow! 'Cause once you go black, you never go back."
Nicki spits near the end of the track, and also shows off some little-known singing talents. The video is one of nine Wayne rushed to shoot in anticipation of his yearlong incarceration, which began in March. The Young Money honcho filmed them over Super Bowl weekend. The Queens MC was just honored to have gotten the chance to work with Wayne, she admitted earlier this year during mtvU's Spring Break.
"He did, like, 1,000 videos before he went in, knowing that he had to go to jail. A lot of us wouldn't do that. A lot of us would be curled up in a ball like, 'Oh, my God, my life is about to be over.' So shout-out to Lil Wayne. We're honored that he chose each and every one of us, handpicked us. And we love him."
Does the "Knockout" video live up to its title? Tell us what you think in the comments!
Related Videos Related ArtistsLil Wayne’s ‘Get A Life’ Video Premieres — Watch It Now!
May 30, 2010
Weezy mixes his rap and rock worlds in the just-released clip.
By Jayson Rodriguez
Lil Wayne's "Get A Life"
Photo: Cash Money Records
Rock-star status, rap-star swagger. That's the treatment for Lil Wayne's video for "Get a Life," which premiered Sunday (May 30) on MTV2 and MTV Jams as part of Lil Tunechi Weekend. The clip is the latest visual from Lil Wayne's Miami marathon session earlier this year, during which he shot four videos in one weekend, including "Da Da Da," Knockout" and "Runnin'."
Like the "Da Da Da" clip, the video for "Get a Life" finds Lil Wayne jamming with rock band ¡Mayday! on top of a South Beach hotel as apart of the performance-heavy clip. The bouncy tune is among the Cool & Dre-produced tracks from Lil Wayne's rock-leaning effort Rebirth.
Unlike "Prom Queen" and "Drop the World," "Get a Life" is less driven by guitars and is more melodic in sound. Dre told MTV News last year, before Rebirth was released, that the project wasn't a complete rock album and was more in line with most collections by the New Orleans MC.
"The best way to describe the Rebirth record is that it's a Lil Wayne record," the producer said. "It's where Lil Wayne is right now in his life and career — he's expressing himself musically. 'Prom Queen' came out, and that's a rock record, and so everybody is like, 'He's putting out a rock album, and he's on the cover of Rolling Stone magazine.' Yeah, there's some rock records on there, but there's also some records where he's rapping. It's a Lil Wayne album. It's what you expect from Lil Wayne, where he's at creatively."
The four Rebirth clips were shot in February, when the rapper decided to bank videos before his impending jail sentence. The director, David Rousseau, told MTV News at the time that Wayne was focused on the difficult task at hand. "He was in a zone," Rousseau said of the atmosphere. "He was ready. It was a work mentality. He's getting prepared for everything that's about to happen to him. He knows it's the fourth quarter. He was completely cooperative and completely professional."
What do you think about Lil Wayne's "Get a Life" video? Let us know in the comments!
Related Videos Related ArtistsLil Wayne’s ‘Get A Life’ Video Premieres — Watch It Now!
May 30, 2010
Weezy mixes his rap and rock worlds in the just-released clip.
By Jayson Rodriguez
Lil Wayne's "Get A Life"
Photo: Cash Money Records
Rock-star status, rap-star swagger. That's the treatment for Lil Wayne's video for "Get a Life," which premiered Sunday (May 30) on MTV2 and MTV Jams as part of Lil Tunechi Weekend. The clip is the latest visual from Lil Wayne's Miami marathon session earlier this year, during which he shot four videos in one weekend, including "Da Da Da," Knockout" and "Runnin'."
Like the "Da Da Da" clip, the video for "Get a Life" finds Lil Wayne jamming with rock band ¡Mayday! on top of a South Beach hotel as apart of the performance-heavy clip. The bouncy tune is among the Cool & Dre-produced tracks from Lil Wayne's rock-leaning effort Rebirth.
Unlike "Prom Queen" and "Drop the World," "Get a Life" is less driven by guitars and is more melodic in sound. Dre told MTV News last year, before Rebirth was released, that the project wasn't a complete rock album and was more in line with most collections by the New Orleans MC.
"The best way to describe the Rebirth record is that it's a Lil Wayne record," the producer said. "It's where Lil Wayne is right now in his life and career — he's expressing himself musically. 'Prom Queen' came out, and that's a rock record, and so everybody is like, 'He's putting out a rock album, and he's on the cover of Rolling Stone magazine.' Yeah, there's some rock records on there, but there's also some records where he's rapping. It's a Lil Wayne album. It's what you expect from Lil Wayne, where he's at creatively."
The four Rebirth clips were shot in February, when the rapper decided to bank videos before his impending jail sentence. The director, David Rousseau, told MTV News at the time that Wayne was focused on the difficult task at hand. "He was in a zone," Rousseau said of the atmosphere. "He was ready. It was a work mentality. He's getting prepared for everything that's about to happen to him. He knows it's the fourth quarter. He was completely cooperative and completely professional."
What do you think about Lil Wayne's "Get a Life" video? Let us know in the comments!
Related VideosTravie McCoy, Kourtney Kardashian, Kris Allen Come Clean On ‘When I Was 17′
May 30, 2010
'Can't have this ball and chain on me,' Kris Allen recalls thinking when he dumped his now-wife.
By MTV News staff
Kourtney Kardashian
Photo: MTV News
On the episode of "When I Was 17" airing this week, Kourtney Kardashian admits things got hairy when she was behind the wheel, heartthrob Travie McCoy confesses he wasn't sexy at all and Kris Allen apologizes for breaking up with the girl who would become his wife. Whether it was dating or cars — few things are more important in high school — these three were still figuring things out.
"Keeping Up With the Kardashians" star Kourtney recalled one particular accident, in the episode that aired Saturday.
"I remember I was driving down the street, and the car in front of me stopped short, and I stopped really fast and I hit the car," she said. "I thought it was their fault, like, I didn't know accident rules. So I was like, 'How dare you stop short, even though I was driving like an inch behind you!' "
While Gym Class Heroes frontman Travie McCoy was tall and tattooed as a teen, his look, it turns out, was anything but sexy. "Trav kinda was big, tall, was a little pudgier than most kids. He was a pretty gnarly-looking kid at 17," explained Matt McGinley, his Gym Class drummer and former classmate.
"Travie McCoy at 17 [was] crafty, artistic, but not sexy at all," McCoy revealed with a laugh. "But in my brain, I was sexy."
American Idol Kris Allen tempted fate when he was 17. "I broke up with my future wife," revealed the singer, who didn't want to be tied down as high school drew to an end.
"She was awesome, but I was a jerk," Allen said of his then-girlfriend. "I was like, 'Aw, it's my senior year. I've got to be free like a bird. Can't have this ball and chain on me.' I was more worried about my senior year and having fun than being a boyfriend. I'm sorry, Katy. I was being a jerk!"
"When I Was 17" airs Saturday at 11 a.m. on MTV.
Related Videos- When I Was 17 | Ep. 5 | Kourtney Kardashian, Travie McCoy, Kris Allen
- When I Was 17 | Ep. 5 | Deleted Scenes
Travie McCoy, Kourtney Kardashian, Kris Allen Come Clean On ‘When I Was 17′
May 30, 2010
'Can't have this ball and chain on me,' Kris Allen recalls thinking when he dumped his now-wife.
By MTV News staff
Kourtney Kardashian
Photo: MTV News
On the episode of "When I Was 17" airing this week, Kourtney Kardashian admits things got hairy when she was behind the wheel, heartthrob Travie McCoy confesses he wasn't sexy at all and Kris Allen apologizes for breaking up with the girl who would become his wife. Whether it was dating or cars — few things are more important in high school — these three were still figuring things out.
"Keeping Up With the Kardashians" star Kourtney recalled one particular accident, in the episode that aired Saturday.
"I remember I was driving down the street, and the car in front of me stopped short, and I stopped really fast and I hit the car," she said. "I thought it was their fault, like, I didn't know accident rules. So I was like, 'How dare you stop short, even though I was driving like an inch behind you!' "
While Gym Class Heroes frontman Travie McCoy was tall and tattooed as a teen, his look, it turns out, was anything but sexy. "Trav kinda was big, tall, was a little pudgier than most kids. He was a pretty gnarly-looking kid at 17," explained Matt McGinley, his Gym Class drummer and former classmate.
"Travie McCoy at 17 [was] crafty, artistic, but not sexy at all," McCoy revealed with a laugh. "But in my brain, I was sexy."
American Idol Kris Allen tempted fate when he was 17. "I broke up with my future wife," revealed the singer, who didn't want to be tied down as high school drew to an end.
"She was awesome, but I was a jerk," Allen said of his then-girlfriend. "I was like, 'Aw, it's my senior year. I've got to be free like a bird. Can't have this ball and chain on me.' I was more worried about my senior year and having fun than being a boyfriend. I'm sorry, Katy. I was being a jerk!"
"When I Was 17" airs Saturday at 11 a.m. on MTV.
Related Videos- When I Was 17 | Ep. 5 | Kourtney Kardashian, Travie McCoy, Kris Allen
- When I Was 17 | Ep. 5 | Deleted Scenes
Les Grossman Gives ‘Twilight’ Star Robert Pattinson Some Unlikely Grooming Tips
May 29, 2010
Hear what the 'Tropic Thunder' movie exec advised RPattz to do to his 'filthy hair' before the 2010 MTV Movie Awards.
By Kara Warner
Grossman Gives Robert Pattinson Style Tips
Photo: MTV News
Doing his part to add more VIP cred to the upcoming 2010 MTV Movie Awards, movie exec Les Grossman — last seen shaking his moneymaker in "Tropic Thunder" — recently took time out of his busy schedule to offer "Twilight" heartthrob Robert Pattinson a few grooming tips before the big show, which airs live June 6.
In a new promo, Grossman tells Pattinson (bluntly and spewing profanities) that the awards show is lucky to have him: "MTV is sportin' mad wood that you're doing the show."
Pattinson, looking a little startled and uncomfortable, admits to Grossman that he's been thinking about cleaning himself up a bit for this year's awards show. "Maybe [I'll] get a suit, have a shave. Maybe [I'll] wash my hair," RPattz responds.
"I love it," Grossman says sweetly, before raising his voice and launching into a tirade. "In fact, I love it so much I'm going to fly Vidal f---ing Sassoon here to personally give you a Brazilian blowout! And when he's done, I'll give you the number of a good plumber because you just flushed your f---ing career down the toilet!
"Your filthy hair made you a star," Grossman reminds Pattinson. "Your filthy hair made me hundreds of millions of dollars and, he adds," pausing for dramatic effect, "sent my fat a--kid to space camp four times." He manages to calm down long enough to ask Pattinson a question: "What kind of shampoo are you going to use?"
"Dirt?" Pattinson offers nervously.
Grossman, satisfied with his star's response, reaches out for a fist bump. "That's my dirty dog. Playa," he smiles.
Watch out for more of Len Grossman's words of wisdom this week.
Don't miss the 2010 MTV Movie Awards, airing live from Los Angeles on Sunday, June 6, at 9 p.m. ET/PT.
Related PhotosDennis Hopper: A True Hollywood Original
May 29, 2010
Actor had so many diverse roles -- from 'Rebel Without a Cause' to 'Easy Rider' to 'Blue Velvet' -- that none is truly definitive.
By Adam Rosenberg with Jem Aswad
Dennis Hopper
Photo: Evan Agostini/ImageDirect
In Hollywood history, a mere handful of stars have had careers that reached the peaks, the depths, the diversity and the longevity of Dennis Hopper's. The legendary — and legendarily rebellious — actor died of prostate cancer early Saturday (May 29) at the age of 74.
Indeed, Hopper's signature roles were so different from each other — and so widely separated by years over his nearly six-decade-long career — that it's difficult to choose one as definitive. Some might single out the teen who appeared with James Dean in 1955's "Rebel Without A Cause." Others recall the nitrous-oxide-huffing psychopath Frank Booth, villain of David Lynch's classic 1986 thriller, "Blue Velvet." Hopper played another memorable villain (who meets a memorable end) in 1994's "Speed." Yet he will probably be remembered best for "Easy Rider," the 1969 counterculture touchstone that he co-wrote, directed and starred in, as the scruffy, motorcycle-riding drug dealer Billy.
The young Hopper made his debut in a pair of James Dean films, "Rebel" and "Giant" (1956). The 24-year-old Dean and 18-year-old Hopper became friends, and the older actor's sudden death in 1955 shook Hopper to the point that he staged a days-long, one-man revolt on the set of Henry Hathaway's "From Hell to Texas."
Hopper went on to have notable appearances in "Cool Hand Luke" (1967) as well as "The Sons of Katie Elder" (1965) and "True Grit" (1969), both of which starred John Wayne. Yet the success of "Easy Rider," in which he starred with Peter Fonda and a young Jack Nicholson, took him on a sharp upward turn, as the film raked in enormous profits and reinvented Hopper's career.
It was a success he quickly squandered with the disastrous follow-up, 1971's "The Last Movie," which so fraught with trouble, substance abuse and erratic behavior that Hopper was effectively blackballed from the movie industry in the years that followed. He did appear in a number of films over the ensuing years — "Mad Dog Morgan" (1976), "Tracks" (1977) and most memorably Francis Ford Coppola's "Apocalypse Now," channeling his trademark manic energy into a wild portrayal of a frazzled Vietnam-stationed photojournalist.
While he continued to struggle with substance abuse, his acting career revived with acclaimed performances in "Out of the Blue" (1980 — which he also directed), "Rumble Fish" (1983) and "The Osterman Weekend" (1983) — and he was re-established as a major star with his leading role in Lynch's "Blue Velvet" (1986); he became sober at around the same time. In 1986 he also starred with Gene Hackman in David Anspaugh's "Hoosiers," a performance that earned him a Best Supporting Actor Academy Award nomination.
Hopper continued to turn in memorable performances and features for the remainder of his career. He was the villainous mad bomber in the blockbuster "Speed" (1994), also starring Keanu Reeves and Sandra Bullock. He directed 1988's "Colors" and received an Emmy nomination for his performance in HBO Films' "Paris Trout" (1991). Equally memorable are two of his more panned roles, in campy cult classics "Super Mario Bros." (1993) and "Waterworld" (1995). Hopper's most recent film appearance was in Isabel Coixet's 2008 film "Elegy," with Sir Ben Kingsley, Penelope Cruz and Debbie Harry, although his voice will be heard in the animated "Alpha and Omega," which comes out in September.
Hopper also put in a significant amount of time on television, with more than 100 appearances on a diverse range of programs, including "Gunsmoke," "Bonanza," "The Twilight Zone," "The Big Valley," "The Rifleman," "Combat!," "E-Ring," "Crash," "24" and, most recently, as himself on HBO's "Entourage."
A legendary actor and an unforgettable character, Dennis Hopper was perhaps above all a true Hollywood original.
Related PhotosDennis Hopper: A True Hollywood Original
May 29, 2010
Actor had so many diverse roles -- from 'Rebel Without a Cause' to 'Easy Rider' to 'Blue Velvet' -- that none is truly definitive.
By Adam Rosenberg with Jem Aswad
Dennis Hopper
Photo: Evan Agostini/ImageDirect
In Hollywood history, a mere handful of stars have had careers that reached the peaks, the depths, the diversity and the longevity of Dennis Hopper's. The legendary — and legendarily rebellious — actor died of prostate cancer early Saturday (May 29) at the age of 74.
Indeed, Hopper's signature roles were so different from each other — and so widely separated by years over his nearly six-decade-long career — that it's difficult to choose one as definitive. Some might single out the teen who appeared with James Dean in 1955's "Rebel Without A Cause." Others recall the nitrous-oxide-huffing psychopath Frank Booth, villain of David Lynch's classic 1986 thriller, "Blue Velvet." Hopper played another memorable villain (who meets a memorable end) in 1994's "Speed." Yet he will probably be remembered best for "Easy Rider," the 1969 counterculture touchstone that he co-wrote, directed and starred in, as the scruffy, motorcycle-riding drug dealer Billy.
The young Hopper made his debut in a pair of James Dean films, "Rebel" and "Giant" (1956). The 24-year-old Dean and 18-year-old Hopper became friends, and the older actor's sudden death in 1955 shook Hopper to the point that he staged a days-long, one-man revolt on the set of Henry Hathaway's "From Hell to Texas."
Hopper went on to have notable appearances in "Cool Hand Luke" (1967) as well as "The Sons of Katie Elder" (1965) and "True Grit" (1969), both of which starred John Wayne. Yet the success of "Easy Rider," in which he starred with Peter Fonda and a young Jack Nicholson, took him on a sharp upward turn, as the film raked in enormous profits and reinvented Hopper's career.
It was a success he quickly squandered with the disastrous follow-up, 1971's "The Last Movie," which so fraught with trouble, substance abuse and erratic behavior that Hopper was effectively blackballed from the movie industry in the years that followed. He did appear in a number of films over the ensuing years — "Mad Dog Morgan" (1976), "Tracks" (1977) and most memorably Francis Ford Coppola's "Apocalypse Now," channeling his trademark manic energy into a wild portrayal of a frazzled Vietnam-stationed photojournalist.
While he continued to struggle with substance abuse, his acting career revived with acclaimed performances in 1980's "Out of the Blue" (which he also directed) and 1983's "Rumble Fish" and "The Osterman Weekend." He became sober in the mid-'80s and was re-established as a major star in 1986 with his leading role in Lynch's "Blue Velvet"; that same year he also starred with Gene Hackman in David Anspaugh's "Hoosiers," a performance that earned him a Best Supporting Actor Academy Award nomination.
Hopper continued to turn in memorable performances and features for the remainder of his career. He was the villainous mad bomber in the blockbuster "Speed" (1994), also starring Keanu Reeves and Sandra Bullock. He directed 1988's "Colors" and received an Emmy nomination for his performance in HBO Films' "Paris Trout" (1991). Equally memorable are two of his more panned roles, in campy cult classics "Super Mario Bros." (1993) and "Waterworld" (1995). Hopper's most recent film appearance was in Isabel Coixet's 2008 film "Elegy," with Sir Ben Kingsley, Penelope Cruz and Debbie Harry, although his voice will be heard in the animated "Alpha and Omega," which comes out in September.
Hopper also put in a significant amount of time on television, with more than 100 appearances on a diverse range of programs, including "Gunsmoke," "Bonanza," "The Twilight Zone," "The Big Valley," "The Rifleman," "Combat!," "E-Ring," "Crash," "24" and, most recently, as himself on HBO's "Entourage."
A legendary actor and an unforgettable character, Dennis Hopper was perhaps above all a true Hollywood original.
Related Videos Related PhotosDennis Hopper Dead At 74
May 29, 2010
'Easy Rider' star died of prostate cancer Saturday.
By Kelley L. Carter and Jem Aswad
Dennis Hopper
Photo: George Rose/Getty Images
Actor Dennis Hopper — star of "Easy Rider," "Blue Velvet," "Giant" and many other films — died Saturday of prostate cancer at his Los Angeles-area home, according to The Associated Press. He was 74.
The two-time Academy Award nominee, who announced through a manager in the fall of 2009 that he had been diagnosed with the disease, was surrounded by family and friends at the time of his death, friend Alex Hitz told the AP.
The actor directed, co-wrote and starred in directed 1969's "Easy Rider," perhaps the most memorable film of his wildly erratic, nearly six-decade-long career. In that classic, generation-defining film — which also established Jack Nicholson as a major star — he and Peter Fonda played motorcycle-riding hippies "in search of America." The film was a Hollywood success story; it was produced for less than $500,000 and ultimately earned in excess of $40 million. "Easy Rider" also earned two Academy Award nominations, including a shared screenplay nod for Hopper, Fonda and Terry Southern.
Born in Kansas on May 17,1936, and raised in San Diego, Hopper made his mark in movies as a teenager, starring with James Dean, whom he idolized, in the 1950s classics "Rebel Without a Cause" and "Giant."
His career followed a bumpy path over the decades, veering between fame and obscurity — due in equal measure to substance abuse and his legendarily rebellious personality — before being permanently revived by his memorable 1986 role as the psychotic Frank in "Blue Velvet." He appeared in dozens of films over the years, including "Apocalypse Now," "Hoosiers," "Speed," "River's Edge," "Rumblefish," "True Romance," "True Grit" and "The Texas Chainsaw Massacre 2," to name just a few; he also made many television appearances, including "24" and "The Twlight Zone." His directing credits included "Colors," "The Hot Spot," "Chasers" and "The Last Movie," his disastrous 1971 follow-up to "Easy Rider," the production of which was so erratic that it effectively blackballed him from the film industry for years.
Hopper's personal life was no less dramatic than his work: Married five times (including an eight-day marriage to Mamas & the Papas singer Michelle Phillips in 1970), he struggled for many years with alcoholism and drug abuse before becoming sober in the 1980s. He filed for divorce from his fifth wife, Victoria Duffy, in January, after 14 years of marriage and one child (daughter Galen Grier). He was also an avid photographer and art collector.
Hopper appeared frail when he was awarded with a star on the Hollywood Walk of Fame in March of this year.
His work will continue: In September he will be heard as one of the lead voices in "Alpha and Omega."
Hopper seemed to be acutely aware of his own mortality, telling Time magazine in 1986: "I thought I'd be dead before I was 30. Turning 40 stunned me. Fifty is a major miracle, and I think I may even make 70."
Share your memories of Dennis Hopper in the comments below.
Related Videos Related Photos50 Cent Explains Commitment To ‘Things Fall Apart’
May 28, 2010
'You don't have to make everything personal, but that project was,' he says of movie he lost 50 pounds for.
By Shaheem Reid
50 Cent
Photo: G-Unit
The shocking photos that appeared earlier this week of a dramatically gaunt 50 Cent is just another example of the extremes to which he'll go to win. The G-Unit general lost the weight for a role as a football player with cancer in the upcoming "Things Fall Apart," and he spoke to Cleveland's Call and Post about why the movie was worth the sacrifice.
"It's myself, Mario Van Peebles, Ray Liotta, Lynn Whitfield, and it's a project that I wrote, produced and financed myself," he said of the film. "It's about a Heisman hopeful who could possibly be going to the league and everyone is assuming he's gonna make it, and then he's hit with an illness. I had a friend of mine who actually experienced cancer, and it's what motivated me to write this screenplay. You don't have to make everything personal, but that project was. That's why I committed to playing a role where I lost 54 pounds. I had to discipline myself enough until I achieved it but ... I got it."
50 also implied that acting is a great outlet when he wants to take a break from music — particularly when he and the public don't see eye-to-eye on what he's cooked up in the lab.
"I'm actually passionate about the actual music when it's done right," he said. "But, sometimes I feel like something is right that the public didn't respond to, just me creatively. Because of that, I'll perform the record until they actually enjoy it [laughs]. But the reality is they won't embrace every idea you come up with, not all of your life. I have artists I have a lot of respect for who aren't the same as when they started and they're great artists. Look at Stevie Wonder.
"I think the business itself is conditioned to say, 'Out with the old in with the new,' " he said. "I'll continue to make music because I love it, but I developed an interest in other areas because a lot of times to escape music, for enjoyment, I might go and watch film or television, and there's an interest there because I've been utilizing that for entertainment for so long."
50, who is now getting back to his normal size, said he was only able to take the time out to lose the weight because he financed the movie himself. "There's not a whole lot of actual situations where a studio will break for four months to allow the talent to make the transition they allowed Tom Hanks to make in 'Philadelphia,' " he pointed out. "You gotta be Tom Hanks for that to happen."
50 launches the Invitation Tour on Friday (May 28) in Cleveland, a place he hasn't played since he and Jay-Z toured with Rock the Mic in 2003.
"I haven't toured in the U.S. in three years, so I wanted to choose somewhere that wasn't like home plate," said 50, who also revealed that despite Tony Yayo and Lloyd Banks being free agents, G-Unit Records still has a home at Interscope.
Do you think you could go to the same extremes 50 Cent does to get what you want? Talk about it in the comments.
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